Milk screenwriter Dustin Lance Blacks wins Oscar for Best Original Screenplay
February 23, 2009
-

- Milk screenwriter Dustin Lance Black accepts the 2009 Academy Award for Best Original Screenplay.
Milk screenwriter Dustin Lance Black gave an impassioned speech that encouraged LGBT teens when he accepted the Oscar for Best Original Screenplay last night. Watch the video of Black's Oscar acceptance speech here. (GLAADblog has posted the transcript of Black's acceptance speech that you can read here.) Black, who wore a white knot on his lapel in support of marriage equality, talked more about making Milk and boldly reiterated the importance of LGBT equal rights in interviews backstage at Oscars. Watch the video here:
Andy Towle has also posted the must-read introduction to Dustin Lance’s new book MILK: A PICTORIAL HISTORY OF HARVEY MILK where, in the aftermath of Prop 8, Black describes what Harvey Milk’s legacy means to him 30 years later:
Thirty years after Harvey began his fight for GLBT (Gay, Lesbian, Bisexual, Transgender) equality, I am still “less than” a heterosexual when it comes to my civil rights in America. If I fall in love with someone in a foreign country, I can’t marry him and bring him home. I can’t be out in the military, there are inheritance rights issues, adoption rights, social security, taxation, immigration, employment, housing, and access to health care rights, social services, and education rights, and on and on. The message to gay and lesbian youth today is that they are still inferior. [...]So much of what I’ve done in this business up to this point has been to make myself ready to take on the overwhelming responsibility of retelling Harvey’s story. It took many years of research, digging through archives, driving up to San Francisco in search of Harvey’s old friends and foes, charging a couple of nights at the Becks motor lodge on Market and Castro with my principal source, Harvey’s political protégé, Cleve Jones. What I discovered on those trips wasn’t the legend of the man that I’d heard in adolescence. What I discovered was a deeply flawed man, a man who had grown up closeted, a man who failed in business and in his relationships, a man who got a very late start. Through Harvey’s friends, foes, lovers, and opponents, I met the real Harvey Milk. Those I interviewed also shared stories of a time in San Francisco when it seemed anything was possible. The Castro was booming. Gay and lesbian people were making headway in the battle for equal rights. And from the ashes of defeats in Florida, Kansas, and Oregon rose a big-eared, floppy-footed leader who was able to reach out to other communities, to the disenfranchised, and to unexpected allies. He convinced an entire people to “come out,” and against all odds, he fought back and won on Election Day. [...] Now, thanks to the bravery of directors like Gus Van Sant, producers like Dan Jinks and Bruce Cohen, and companies like Michael London’s Groundswell and Focus Features, I was given a shot at creating a popularized history that young people, GLBT leaders, and our future straight allies can look at and learn from. With this and the many other films I hope will follow, perhaps we are not doomed to keep repeating the same mistakes of our past.




